Recently, my Instagram feed seems to have been taken over by the 80s.
Everyone is asking AI to show them what they would have looked like in the 80s.
And suddenly, people who weren't even born then are discovering their apparently fabulous 80s hair, dramatic clothes and wonderfully grainy photographs.
The world is getting all nostalgic for a decade they may not have even lived through.
And at this point, I am beginning to wonder if I had an entire 80s life and simply failed to attend.
The funniest thing about this trend is that we are recreating the 80s with poses that never really existed in the 80s.
These bright smiles, relaxed couple poses and perfectly curated grainy photographs look wonderfully 80s. Except I don't remember anyone looking this relaxed in the 80s pictures I've seen.
Nobody was trying to look effortless. They simply stood there, slightly embarrassed to be posing, trying not to look vain while also making sure they looked good enough to be photographed.
But what has stayed with me from the many albums I have browsed through over the years is the killer stare.
As if smiling too much or looking too pleased might make them appear vain, so even the slightest curve of a smile was carefully withheld.
And yet, there was so much that went into that one photograph.
The time someone took to get ready. The excitement of knowing a camera was coming. Waiting for the camera from the neighbourhood to arrive. Finding the right light, choosing the right shade.
The photograph may have lasted a few seconds, but there was a whole little event around it.
Talking of photographs reminds me of the one almost every Indian household had after a wedding in the yesteryears. The newly married couple, dressed in their best, sitting or standing together with that shy, coy smile that somehow said everything without saying very much.
Perhaps that is why the Ranabaali photograph of Vijay Deverakonda and Rashmika Mandanna felt so familiar and relatable despite belonging to a very different time. Their restrained expressions, stillness and almost solemn intimacy had the quality of those old photographs. It made even people in their twenties nostalgic, and soon people were recreating the pose, some with filters and some through photoshoots.
It takes a lot for a still photograph to hold that kind of intensity and presence. There is so little to hide behind. No movement, no dialogue, no music. Just two people, a pose and whatever emotion manages to come through.
Perhaps that is what makes photographs special. Their minimalism can leave emotions completely bare, allowing people to see something, feel something and connect with it.
Perhaps photographs do more than preserve how people looked in an era. They preserve something of how people understood the moment. How much they prepared for it. How conscious they were of being seen. How intimacy was expressed without having to perform it.
And perhaps, years from now, someone will look at our photographs and wonder about us too.
They will see the forehead touches, the back hugs, the walking hand in hand, the almost-kisses and those carefully captured “candid” laughs that we have slowly accepted as the standard language of a couple photograph.
They may wonder how we had the time to curate such perfect moments.
They may wonder how so many intimate moments of our time happened to have a camera around to capture them.
And perhaps, just as we are recreating photographs from their time today, they may find a few of ours worth recreating too.
And call it oh so 2020s.
#80sNostalgia #Nostalgia #CouplePhotography #OldPhotos #VintagePhotography #IndianNostalgia #IndianWeddings #RelationshipPhotography #PhotographyTrends #ByTheWindow #JananiSrikanth


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